I really said, 'Okay, this is just the right job for me. This is really what I need to be doing: telling stories through music in lots of different styles of music.'
It is really amazing to be able to do cinematic, big feature style film music on a weekly basis and do it in LA, on a big scoring stage, on a studio lot, and do it with the right players and make it sound great.
I would say that I'm a really eclectic music lover, so I love the fact that one month I will be doing one kind of music and the next month I will be doing something very different and I think that really works for me in terms of my own personal tastes and styles.
I actually prefer to work in as many different genres as possible as often as possible because I actually think the best way to be inspired and avoid any writers block or things like that is actually to be able to go from a comedy to an action to a horror to a adventure, that actually makes it easy for me to start over and get new ideas, and it keeps things interesting.
My only real requirement is that I like the projects to be good and I like the people that I work with to be really nice people and great people, and as long as that's the case the music is fun to do always.
The things that are the hardest are the things that are due the quickest. The more time you have the easier it is to come up with things and navigate. I think the other things that are tough are films that are very, very subtle. Where there are little tiny nuances that make a big difference.
