Walter Mosley Quotes - Page 4

There's a resistance for people to talk about things that make them feel guilty. When natural disasters happen, it's easier not to feel guilty about it.

It was mid-November 2008. There were pirates taking ships with impunity in African waters, terrorists punching holes in Indian security, China sinking towards depression because Americans were afraid to buy cheap goods for Christmas, and the richest nation in the history of the world was talking about how to keep a budget.

... you should wait until the book is finished before making a judgment on its content. By the time you have gone through twenty drafts, the characters may have developed lives of their own, completely separate from the people you based them on in the beginning. And even if someone, at some time, gets upset with your words - so what? Live your life, sing your song. Anyone who loves you will want you to have that.

... We must remember that there's more than one story and plot in every novel. There are at least as many stories as there are main characters, and each of these stories has to have multiple plots to keep it going - blood and bone, nerve and tissue, forgotten longing and unknown events.

This is all you have to do. Sit down once a day to the novel and start working without internal criticism, without debilitating expectations, without the need to look at your words as if they were already printed and bound. The beginning is only a draft. Drafts are imperfect by definition.

I always tell people, if a young girl read "Beloved" as her first novel, she'd have to kill either herself or her mother, because in "Beloved" you have a mother killing their children. This is not something a child would accept very easily. And would never understand.

My experience of people in dementia is that a lot of their personality, a lot of their knowledge, a lot of their experience is still there but there's not a direction connection that they can just reach out and get it and then bring it back.

The way I write is this: I write about a thousand words a day, a little bit more. The next morning, I read those thousand words and cursorily edit that. Then I write the next thousand. I do that all the way to the end of the book and then I reread the book quite a few times, editing as go through.

Your book grows. The early part of your book is growing still while you are writing the later part of your book.

I never really thought I'd be successful. I never though I'd get books published, but this was something completely beyond me. The fact that it happened is wonderful, but it is not something that I was aiming for.

People don't understand how hard it is to get recognized, how hard it is to get people to read your books. How hard it is to get people to even to understand what they're reading when they're talking to you about their books.

The love of writing comes at a very early age. For me, for instance, comic books so affected me. And a lot of people who come up to me and start talking about writing, when I start talking to them about the "Fantastic Four," they look at me aghast. They say, "'The Fantastic Four?' That's not literature." I say, "Yeah, but it was when I was 11 years old." This was literature.

Comic books were telling me what life was about. This was how I kind of entered life, through fiction.

I think that computer programming shows in my writing. Often when I write about computer programmers I'll write about the way that they see the world and they structure the world.