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Lawrence Durrell Quotes - Page 3

Gamblers and lovers really play to lose.

Lawrence Durrell (2012). “The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea”, p.361, Faber & Faber

A woman's best love letters are always written to the man she is betraying.

Lawrence Durrell (1991). “Clea”, Penguin Group USA

Shyness has laws you can only give yourself; tragically to those who least understand.

Lawrence Durrell (2012). “The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea”, p.87, Faber & Faber

The memory of man is as old as misfortune

Lawrence Durrell (2012). “The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea”, p.344, Faber & Faber

Guilt always hurries towards its complement, punishment: only there does its satisfaction lie.

Lawrence Durrell (2012). “The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea”, p.110, Faber & Faber

Truth is a matter of direct apprehension-you can't climb a ladder of mental concepts to it.

Lawrence Durrell (2012). “The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea”, p.285, Faber & Faber

Life, the raw material, is only lived in potentia until the artist deploys it in his work.

Lawrence Durrell (2012). “The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea”, p.58, Faber & Faber

The artist's work constitutes the only satisfactory relationship he can have with his fellow men since he seeks his real friends among the dead and the unborn.

Lawrence Durrell (2012). “The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea”, p.411, Faber & Faber

To write a poem is like trying to catch a lizard without its tail falling off.

Lawrence Durrell, Earl G. Ingersoll (1998). “Lawrence Durrell: Conversations”, p.29, Fairleigh Dickinson Univ Press

Comedians are the nearest to suicide.

Lawrence Durrell (2015). “The Avignon Quintet: Monsieur, Livia, Constance, Sebastian and Quinx”, p.199, Faber & Faber

The realisation of one's own death is the point at which one becomes adult.

Lawrence Durrell (2015). “The Avignon Quintet: Monsieur, Livia, Constance, Sebastian and Quinx”, p.32, Faber & Faber

Sorrow is implicit in love as gravitation is implicit in mass.

Lawrence Durrell (2015). “The Avignon Quintet: Monsieur, Livia, Constance, Sebastian and Quinx”, p.68, Faber & Faber