I'm actually looking for a gallery, but the thing is some galleries just want to show the video work and some are just interested in the 2-D work. It has to be a gallery where I can do the 2-D collages, the video, and live performance, where it's not this weird conflict, where it can all move forward.
When I stepped back from the gallery I was in a phase where I thought I wasn't going to be making work for a gallery context for a while. People were like, "You should never leave a gallery if you didn't have somewhere else to go," but I wasn't trying to disrespect the gallerists in that way.
We all, as human beings, have different layers, and if we become one-dimensional or really superficial, then I still think there are things that happened that got us to that place.
You can dwell on things, and if you open your eyes and pay attention to it, those things start popping up around you.
I've learned that I need to learn how to direct without making the person distracted and keeping them comfortable, and pay more attention to lighting.
I was trying to release emotions, exercise emotions, and then I entered the art world. Even after grad school, some of [the earlier works] were still lingering in my head. I realized there were some pieces where I felt that I had to respond to the criticism.