David O. Russell's best films are thrilling high wire acts that run the moment to moment risk of tumbling to the ground. In his latest, "Joy," Russell has more trouble than usual keeping his balance on the wire.
Sadly, this picture [ Joy] does not go from strength to strength. It sinks into a morass of tedious obstacles to this woman's success. Joy the person may be able to surmount all barriers, but the film with her name on it is not so fortunate.
And if you can come through that and still have some connection to your joy you felt when you were a child that's a very mature kind of a joy that I find inspiring. And Jennifer Lowrence has all that in her, and I've watched her have to go through it even in the last few years.
I hadn't made that movie before and when I ever met the real Joy Mangano, which happened because De Niro insisted we meet her and her father, that's what she felt like to us. She impressed us with her quiet, serene authority with herself.
