Alice Munro Quotes - Page 3

People have thoughts they’d sooner not have. It happens in life.

Country manners. Even if somebody phones up to tell you your house is burning down, they ask first how you are.

Because if she let go of her grief even for a minute it would only hit her harder when she bumped into it again.

I felt in him what women feel in men, something so tender, swollen, tyrannical, absurd; I would never take the consequences of interfering with it.

This is the way you look at the poorest details of the world resurfaced, after you've been driving for a long time -- you feel their singleness and precise location and the forlorn coincidence of you being there to see them.

The unhappiest moment I could never tell you. All our fights blend into each other and are in fact re-enactments of the same fight, in which we punish each other--I with words, Hugh with silence--for being each other. We never needed any more than that.

Peoples lives, in Jubilee as elsewhere, were dull, simple, amazing, unfathomable-deep caves paved with kitchen linoleum. . . . What I wanted [to write down] was every last thing, every layer of speech and thought, stroke of light on bark or walls, every smell, pothole, pain, crack, delusion, held still and held together-radiant, everlasting.

His face contained for me all possibilities of fierceness and sweetness, pride and submissiveness, violence, self-containment. I never saw more in it than I had when I saw it first, because I saw everything then. The whole thing in him that I was going to love, and never catch or explain.

There is a limit to the amount of misery and disarray you will put up with, for love, just as there is a limit to the amount of mess you can stand around a house. You can't know the limit beforehand, but you will know when you've reached it. I believe this.

What she wants to do if she can get the time to do it, is not so much to live in the past as to open it up and get one good look at it".

As soon as a man and woman of almost any age are alone together within four walls it is assumed that anything may happen. Spontaneous combustion, instant fornication, triumph of the senses. What possibilities men and women must see in each other to infer such dangers. Or, believing in the dangers, how often they must think about the possibilities.

You think that would have changed things? The answer is of course, and for a while, and never.

Now i no longer believe that people's secrets are defined and communicable, or their feelings full-blown and easy to recognize.

I used to feel for years and years and years that I was very remiss not to have written a novel and I would question people who wrote novels and try to find out how they did it and how they had got past page 30. Then, with the approach of old age, I began to just think: “Well, lucky I can do anything at all.

People’s lives, in Jubilee as elsewhere, were dull, simple, amazing, and unfathomable – deep caves paved with kitchen linoleum.

There's a kind of tension that if I'm getting a story right I can feel right away, and I don't feel that when I try to write a novel. I kind of want a moment that's explosive, and I want everything gathered into that.

For we did makeup. But we didn't forgive each other. And we didn't take steps. And it got to be too late and we saw that each of us had invested too much in being in the right and we walked away and it was a relief.

And did I not think then, What nonsense it is to suppose one man so different from another when all that life really boils down to is getting a decent cup of coffee and room to stretch out in?

It's certainly true that when I was young, writing seemed to me so important that I would have sacrificed almost anything to it ... Because I thought of the world in which I wrote -- the world I created -- as somehow much more enormously alive than the world I was actually living in.

Usually, I have a lot of acquaintance with the story before I start writing it. When I didn't have regular time to give to writing, stories would just be working in my head for so long that when I started to write I was deep into them. Now, I do that work by filling notebooks.

I would have a flick of fear, as in a dream when you find yourself in the wrong building or have forgotten the time for the exam and understand that this is only the tip of some shadowy cataclysm or lifelong mistake.

I have never kept diaries. I just remember a lot and am more self-centered than most people.

There was a danger whenever I was on home ground. It was the danger of seeing my life through other eyes than my own. Seeing it as an ever-increasing roll of words like barbed wire, intricate, bewildering, uncomforting—set against the rich productions, the food, flowers, and knitted garments, of other women’s domesticity. It became harder to say that it was worth the trouble.

It almost seemed as if there must be some random and of course unfair thrift in the emotional housekeeping of the world, if the great happiness--however temporary, however flimsy--of one person could come out of the great unhappiness of another.

I sit watching the brown oceanic waves of dry country rising into the foothills and I weep monotonously, seasickly. Life is not like the dim ironic stories I like to read, it is like a daytime serial on television. The banality will make you weep as much as anything else.