The danger in having modern music tied to a period piece is that hearing something may take you out of the moment.
Because sometimes listening to something will connect to a feeling, it will allow you to emote subconsciously, and you don't even understand why you're in it.
The time frame and how people treated each other was upsetting, but what's great about this story is that they really focus on the strengths of these people and the strengths of the culture, of who these Americans were. That, actually, is uplifting.
Even though the topic [of slavery] itself is the big, screaming elephant in the room, we still get a chance to have fun and enjoy what is on the screen, and we have moments where we're actually happy.
It's crazy how intelligent kids can be at a very young age and how they know what they know.
Whatever kids are into, that might be their thing.
I want to give people jobs and put them on great shows. I want to create careers for people.
I was too young to live on campus. I just went back and forth on the bus. Eventually I got my own car and thought I was Mr. Man, so I started hot wheelin' it.
I was too young to understand who Sam[uel L.] Jackson was or who Bruce Willis was, who Jeremy Irons was at the time. All I knew was that they were good to me then.
With any good projects, I feel like the off-screen chemistry factors on-screen. It's great when you don't have to force it, but when it's not there you better focus on getting there, because as we live with these characters we spend more time with one another than we do our families at home.